Weeping Window Puts On Dramatic Display at Carlisle Castle
The iconic poppy sculpture, Weeping Window is now open at Carlisle Castle, giving visitors a chance to reflect on and connect with the sacrifices made during the First World War.
A striking sea of red, made up of over 5,000 ceramic poppies cascades from the top of the keep, arching over the inner ward wall and cascading down into the outer ward of the castle complex.
The Weeping Window, which will be on display until 8 July 2018, arrives in the city in the final year of 14-18 NOW’s UK tour of poppies, part of the the arts programme for the First World War centenary, to give people across the UK the chance to experience the impact of sculptures.
Each of the poppies at Carlisle Castle were part of the original ‘Blood Swept Lands and Seas of Red’ installation, created by artist Paul Cummins and designer Tom Piper for the Tower of London in 2014. The original artwork was made up of 888,246 poppies, one to commemorate every British or Colonial life lost at the front during the First World War.
Nigel Hinds, Executive Producer for 14-18 NOW, explained how the project has been an very important part of their work over the last four years, he commented: “[The project] has been hugely rewarding, in how it has touched so many people and the way that Paul, Tom and the team have worked with each of the locations on the tour so that it responds to each one in different ways and always looks fresh, surprising and special.
“The other great thing is taking them around the country, so that people don’t have to go to Manchester or London in order to see something which is iconic. The images from the Tower of London are something that has become iconic with the centenary, so to be able to take two parts of that to different parts of the UK feels very special and incredibly rewarding.”
Since the tour started back in 2015 the two sculptures, ‘Weeping Window’ and ‘Wave’ have already been displayed in 15 locations of particular First World War resonance around the UK and have been viewed by over 3.75 million people. However, this is the first time the arch of the poppies has appeared in a fixed structure, with no supporting scaffolding behind it. The structure takes around seven days to install, and with each poppy individually placed and stem twisted, it is entirely handcrafted.
Designer Tom Piper said: “It’s unique for us that we’ve been able to create a sweeping arch of poppies off the keep and onto the wall. For me it really brings home the metaphor of the poppies flowing as blood, into the building. What’s really powerful about the piece is the two metaphors that work together; the individual poppy representing a life… but also the poppies en masse as a sea of blood.”
Although the principles of the structures are the same, each installation is unique in its own way, shaped by the building, the location and above all, the people who visit it.
Tom added: “I always get very touched by the reaction of the public. People really relate to it, take it to heart and it enables them to engage in their own family histories and stories. In a sense that is what art should do, it should allow you to reflect and hopefully be moved by the beauty of it, but also the message underneath it of the sacrifice and the terrible human cost of war.”
Carlisle Castle makes a fitting location, having been the headquarters of the Border Regiment – one of the oldest in the British Army – throughout the First World War. A total of 23,000 recruits passed through the castle during the war, with battles claiming 7,000 lives from the Border Regiment.
For the first time, English Heritage have enlisted the help over 100 local volunteers, to help welcome visitors but also to add to the experience through the sharing of their own stories. This castle is part of the community,” Chief Executive, Kate Mavor explained. “The descendants of those soldiers who came here will be living in the neighbourhood, so it’s the stories of the people here that we are telling.”
She added: “You respond to the poppies, but if you can hear the stories of what actually happened here being told by somebody, it makes it much more of an amazing experience for you as a visitor.”
1,300 local children have also booked onto the education programme that has been developed to coincide with the exhibition and English Heritage are expecting to see up to three times more visitors to the castle over the course of the year.
At the end of the tour, ‘Weeping Window’ and ‘Wave’ will become part of the permanent collections at the Imperial War Museums, in order for these displays, which have become so iconic with the centenary of the First World War, to remain in the public domain.
Nigel added: “The centenary period will be over, but the importance of understanding the legacy of the First World War will remain. The partners we work with, such as the Imperial War Museums and English Heritage will carry that through, as well as the memories that people have of the work that we’ve done. We won’t be there, but we hope that the impact of our work will be.”
Photography by Imagery by Kerry Clark